Blake Friedman
Tenor Blake Friedman has been cited by The New York Times for the “plummy fullness and dusky hue” of his voice and by New York Classical Review for his voice’s “buttery top.” His “talent for a wide range of musical needs” (Chicago Reader) has appeared on concert, operatic and musical theater stages across the United States. As a regular soloist with Canterbury Choral Society, Blake has sung a wide range of musical offerings, from baroque masterpieces to newly rediscovered works. His Canterbury Choral Society highlights include: tenor soloist in Bach’s B-minor Mass, Christmas Oratorio, and St. Matthew Passion, the title role in Handel’s Judas Maccabaeus, as well as Jonathan in Saul, Nicolas in Benjamin Britten’s St. Nicolas, and the title role in the rediscovered Oratorio di San Francesco by Adriano Ariani. His most recent performance with Canterbury was last fall, in Verdi’s masterful Messa da Requiem.
Other notable concert performances include tenor soloist in Liebeslieder Walzer with New York City Ballet, which was also featured on the New York City Ballet 2021 Spring Gala Film directed by Academy Award-winning director Sofia Coppola; tenor soloist in Bruckner’s Te Deum and Beethoven’s Mass in C with Key Chorale; tenor soloist in Carmina Burana and Hayden’s Lord Nelson Mass with York Symphony; tenor soloist in Verdi’s Requiem with Concert Artists of Sarasota; and featured soloist for the world premiere of A Nation of Others by Grammy Award-winning composer/librettist duo Paul Moravec and Mark Campbell at Carnegie Hall.
Notable operatic roles include Marc in the World Premiere of Freedom Ride by Dan Shore with Chicago Opera Theater, Irving Tashman in the New York City Premiere of Morning Star by Ricky Ian Gordon, Iago in Rossini’s Otello with LoftOpera, and Almaviva in both Il Barbiere di Siviglia by Rossini and The Ghosts of Versailles by John Corigliano with Chautauqua Opera where his “romantic and funny” portrayal “proved a highlight.” Other companies Blake has performed with include Dallas Opera, Anchorage Opera, St. Pete Opera, American Opera Projects where he served as resident tenor for the Composer’s and the Voice Symposium from 2015-2018, Bel Canto at Caramoor, Ash Lawn Opera, Bronx Opera and others.
On the musical theater stage he has performed Dr. Gordon in the National Tour of Saw: The Unauthorized Musical Parody, Tony Candolino in Masterclass with The Human Race Theater, The Magistrate/Man 3 in A Gentleman’s Guide to Love and Murder with Utah Festival Opera and Musical Theater, understudy of Tony in West Side Story Suite with New York City Ballet, and understudy of Marcellus Washburn in The Music Man with Ash Lawn Opera.
